Kyl-kobyz

THE PROGRAM

of the creative examination

Educational program

«6B02116 – TRADITIONAL MUSICAL ART»

Kyl кobyz

I. CREATIVE EXAM IN THE SPECIALTY

Kyl kobyz:

1.       A long-form piece (1 part or 2, 3 parts);

2.        One piece by a Kazakh composer;

3.       3 kuys for kyl kobyz.

  Contacts of the Secretary of the entrance exams:

         Urazgalieva Rita Maratovna, phone number: +7 747 159 35 75,

         Mail: ritauraitugan@mail.ru

Criteria for evaluating

creative exams for applicants

I – creative exam

Excellent:

The applicant must demonstrate artistry, performing will, competent reading of the author's text, culture of performing intonation, a certain level of technical skill.

Good:

The performance plan of the works is comprehended by the entrant, the author's text is accurately read, the style of music is sustained. But at the same time, it does not demonstrate technical, dynamic freedom, the performance does not differ in variety and sound quality.

Satisfactory:

Instability of the program output, poor understanding of the style and content of the compositions performed, insufficient possession of expressive means of musical intonation (sound, dynamics, phrasing, rhythm, auditory control).

Unsatisfactory:

Stops, errors in the text, strong stiffness of the performing apparatus, lack of endurance, initiative, rhythmic will, poor command of technical and artistic means of performing intonation, non-compliance of the program with the mandatory level for admission.

ІІ. CREATIVE EXAM

IN MUSIC-THEORETICAL DISCIPLINES

Harmony – orally by tickets (playing modulation in the key of the first degree of kinship, sequence up or down, diatonic or chromatic, including passing chromatic sounds; harmonic analysis of the initial period of the work).

Solfeggio – written: 2-voice dictation in the form of a period with chromaticisms, alterations, deviations or modulation in the key of the first degree of kinship.

Criteria for evaluating

creative exams for applicants

II – creative exam

Excellent:

Absolutely correct dictation recording; deep knowledge of the topics of the course of elementary music theory; accurate definitions of functions in harmonic analysis; fluency in the skill of playing harmonic sequence.

Good:

The presence of insignificant pitch and rhythmic errors in dictation; good knowledge of the topics of the theoretical course of music theory; good command of the skill of playing a harmonic sequence.

Satisfactory:

Significant mistakes in writing dictation; average knowledge of the topics of the theoretical course of elementary music theory; inaccurate definitions of functions in harmonic analysis; insufficient skills and skills of playing harmonic sequence.

Unsatisfactory:

Lack of dictation writing skills, playing modulations and sequences; low level of knowledge of the topics of the theoretical course of elementary music theory.